From the Duff Archives: The NY Citizens' On The Move Review

The article below comes from the very depths of The Duff Guide to Ska's archives. This past weekend, I stopped off very briefly at my parents' house in Yonkers and managed to rifle through one of my old storage bins that contains all sorts of bits of pieces of my life. Happily, I was finally able to dig out a review of The NY Citizens' On the Move LP that I had written in my senior year at college, which was published in the March 23, 1989 issue of Fordham University's College at Lincoln Center's student paper, The Observer. (I had written about this review previously, but hadn't been able to locate my copy of this issue until now.)

Apart from a few cringe-worthy passages at the beginning, I'm relieved to find that it's a pretty decent piece of writing--if I don't say so myself. Just to give you a few points of reference, The Coliseum was the local dive (58th Street, right off Eighth Avenue--the Apple Bank that used to be across the avenue had an ATM that gave out cash in increments of $5.00, which was pretty convenient when you didn't have that much to begin with, but still needed to contribute something toward the next pitcher of beer) that the theater majors, arty-types, and freaks hung out in, where they served cheap, diluted Rolling Rock; never checked IDs; had a latrine in back that masqueraded as a bathroom; and during the week always threw us out soon after midnight, as the barkeep had a long subway and bus ride home (to Yonkers!)--you could tell when he was done for the night because he'd mutter under his breath, just loud enough for you to hear as you walked away after purchasing your tenth pitcher of beer, "Get the fock outta my bar!" Also, The Toasters album about to be released was Thrill Me Up, while Bim's was Tuba City (both on Skaloid Records).

(I also found the ticket stub from the Toasters/Bim/NYCs show at The Ritz referred to in the review!).

Click on the image to enlarge it for reading...

From the Duff Archives: Lord Tanamo with Dr. Ring Ding & The Senior Allstars - Best Place in the World

Editor's note: With the recent news of Lord Tanamo's poor health, I thought it might be good to revisit one of his last recordings, which I originally reviewed for the print version of Read Magazine back in 2000. (Thanks to Adam Coozer for allowing me to reprint it here.) Best Place in the World is still in print and available from Grover Records, Amazon, and other music retailers. If you are unfamiliar with this album, Amazon features sound clips of each track on Best Place in the World for your listening pleasure.

Lord Tanamo with Dr. Ring Ding & The Senior Allstars
Best Place in the World
Grover Records (Germany)
2000

It is fitting that Lord Tanamo, the first singer to front the brilliant Skatalites in the early 60s (he is said to have dubbed them the “Satellites”--this was the era of Sputnik and the space race, after all--and that quickly evolved into The Skatalites), should make an album with Dr. Ring Ding & The Senior Allstars, who are arguably one of the best ska/rocksteady/reggae acts currently on the planet. Lord Tanamo knows a top-notch band when he hears it, and he’s always backed by the best.

Lord Tanamo (AKA Joseph Gordon) launched his musical career in the early 1950s (when he was singing mento, r&b, jazz and calypso tunes, and by the middle of that decade was working with pre-Skatalite members Lloyd Brevette and Lester Sterling); half a century later, his gruff, yet wonderfully versatile voice is still in amazing shape. It almost goes without saying that Dr. Ring Ding & The Senior Allstars are in top form here (and yet their style of playing is so understated and confidently relaxed--the best always make it seem so easy!).

Best Place in the World kicks off with Tanamo’s signature tune with The Skatalites, his cover of “In the Mood for Love” (AKA “In the Mood for Ska”), and several of his best-known songs recording with them are represented in fine form here, such as “Come Dung” and the Don Drummond tribute “Big Trombone.” Tanamo scored a big hit in the 70s with a reggae cover of “Rainy Night in Georgia” (which Prince Buster also transformed into the semi-naughty “Big 5”), and this version is truly sublime. The stripped-down cover of Prince Buster’s “Hard Man Fe Dead” is a revelation, with its acoustic guitar, congas, and spiritual-like backing vocals (and dare I say that it is almost better than the original?).

Yet the real gems of this album are Tanamo’s lesser-known songs, as well as several brand new tunes. From Lord Tanamo’s back catalogue comes the surprisingly smooth ‘n’ sexy “Keep Moving”; the admonishing and upbeat treat-your-mother-right “Mother’s Love” (“A mother’s love is from creation/it is truly the greatest association”); and the sing-along rude boy tale of crime in “Iron Bar,” among others. Tanamo’s new tunes easily measure up to the caliber of his previous work: the unabashedly romantic “Best Place in the World” (“…is the place that you were born”), the wonderful old-school calypso “Musso,” and the rhythmic love song “Out of this Big World.”

After listening to Best Place in the World, it strikes me that Dr. Ring Ding & The Senior Allstars’ style of composing and arranging ska and rocksteady songs is very much in the same vein as Lord Tanamo’s (listen to their stunning debut album “Dandimite” after Best Place in the World and you’d never know that there had been almost 40 years between the time each set of songs was written). Dr. Ring Ding & The Senior Allstars don’t imitate the old time ska sound, they inhabit it--and that’s what makes this album (and the band in general) work so well. (Having said all that, it is eerie how much Dr. Ring Ding sounds like Lord Tanamo.) The Best Place in the World is wherever you are when you listen to this album, because the music that will be pumping out of your speakers is awesome. Get it!

(Originally reviewed: October 2000)