Duff Review: Rude Girl Revue "Lioness" b/w "Unruly Ways"

(Review by Steve Shafer)

By all accounts, Rude Girl Revue's debut performance at the recent Supernova Ska Festival in Virginia wowed everyone in attendance, and pretty much stole the three-day festival from all other contenders (the vast majority of them, ahem, male). This supergroup comprised of women ska musicians from 12 bands across the country (Kristin, Jade, and Tiffany from The Scotch Bonnets; Jenny from Hub City Stompers/Rude Boy George; Dunia from Dubistry; Dani from Soul Radics; Brittany from Catbite; Ali from Stop the Presses; Marcia and Katie from BowCat; Tara from Half Past Two; Lindsay from Thirteen Towers/The Skluttz; Emily from The Skluttz; Kat from The Pandemics; Tricia from Some Ska Band; plus Tara from the Checkered Cast podcast) was formed to stake their claim in a genre that's been heavily dominated by men; celebrate their role in the scene; and inject feminist messages into the ska mix.

Rude Girl Revue's excellent debut single (Digital, self-released, 2021) features the great rocksteady cut "Lioness" (written and sung by The Scotch Bonnets' Jade Tremba and Lady Hatchet) that both boasts of their prowess and calls for women's solidarity to combat the patriarchy ("To all the lady conquerers/We strike as one/And watch them fall"), while the extraordinary new ska anthem to women's empowerment "Unruly Ways" (written and sung by Jenny Whiskey) decries the ludicrous and sexist rules that society imposes on women, while men are free to do as they please ("Just to love yourself truly is a radical act/And we won't be holding back/It doesn't matter if you're the virgin or the whore/You only get two sides to divide/But you could be so much more!/So, be a bitch, be a slut/Be whatever the fuck you want/'Cause I love you, girl, for your unruly ways!").

While both '60s Jamaican ska and late '70s 2 Tone were often overtly political (addressing racism, economic inequity, and social injustice), American ska--with some very notable exceptions--has been largely apolitical. Perhaps, this marks a major shift in the scene with the women of Rude Girl Revue leading the way...

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I'm Interviewed About "The Duff Guide to 2 Tone" by Charles Benoit of "Reggae Steady Ska"!

I recently had the great honor of being interviewed about my new book The Duff Guide to 2 Tone by the wonderful Charles Benoit of Reggae Steady Ska (he also plays tenor sax in Some Ska Band). Our relatively short (10 minutes or so) video is posted below. (See my pandemic beard in all of it's glory!)

Thanks to Charles for the thoughtful questions and taking the time to conduct the interview! It was fun!

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Duff Guide to Ska Bullet Points: Rudebeard, Some Ska Band, Western Standard Time Ska Orchestra!

(Reviews by Steve Shafer)

• Despite the abundant awfulness of 2020, this year has offered up a few good things: I managed to publish my first book (shameless plug, I know), and Scotland's Rudebeard have offered up their second digital EP since the start of the summer! Rudebeard's Disgrace EP (Digital, F and J Records, 2020) is anything but--it's a mini-masterpiece. The protagonist of "Disgrace" readily owns up to his host of shortcomings ("I’m a drunkard, baby/I’m a stoner, antisocial drinking-on-my-owner/Just a child with an adult’s body and face...I ain't no saint/Just a sinner") on this wild, riff-heavy spaghetti Western modern ska track (the synths and subject matter remind me of Magazine's "A Song from Under the Floorboards"). "Are You Ready" is a jaunty lockdown song (which may or may not have a long shelf-life, depending on humanity's--really America's--ability to act for the common good) anticipating the full reopening of things: "It's gonna be chaos/It's gonna get rough/The night they let us back in the pubs/It's gonna be apocalyptic, baby/Get ready." The band drolly dedicate the song to Scotland's city centre police, who will have their hands full. Yet, Rudebeard are also quite capable of delivering the genuinely moving ska ballad "World Keeps Rolling On," about a friend who's died: "Since you're gone/Well, the world kept moving on/It's pretty quiet down here/But it's pretty lonely." And this brings us back to how 2020 just keeps on sucking. A very good friend of mine, one of the most decent human beings I've ever known, unexpectedly passed away earlier this summer. And this song brought tears to my eyes, as it so unapologetically expresses all the sadness, grief, and permanent hole-in-yer-heart that everyone feels when someone close is gone forever.

• Rochester, New York's Some Ska Band have just released two excellent dubs--with Agent J at the controls--of instrumental cuts off their great 2018 debut album It's Going Down: "American Dublines" b/w "Forty Dubs" (Digital, self-released, 2020). For those not yet down with Some Ska Band's album, "American Dublines" (from "American Skalines") is a bright, very '80s, Beat-inspired song, while "Forty Dubs" (from "Forty Thieves") is a Prince Buster (think "7 Wonders of the World") meets Dick Dale mash-up. Agent J's production inserts some sonic distance between the music and listener, removing some of the originals' "Is it live or is it Memorex?" immediacy in favor of the depth of seemingly vast space. Highly recommended. 

• Perhaps in another timeline Western Standard Time Ska Orchestra's extraordinary original track "Bedouin Ska" (Digital, self-released, 2020) was included on the soundtrack to David Lean's Lawrence of Arabia--it's the aural equivalent of edge-of-your-seat action and high drama, being played out in the expansive and exquisite desolation of the Sinai desert, with (to white Westerners) an exotic cast of characters and their mysterious customs and cultures. For all of their Skatalites obsession, this cut makes me realize that WST is really America's answer to Tokyo Ska Paradise Orchestra.