The Best Ska Albums of 2010!

Editor's note: Here is The Duff Guide to Ska's "Best Ska Albums of 2010" list, such as it is. In all honesty, there were several albums that we weren't able to get our mitts on before the clock ran out (here's our shout-out of love to Babyhead and Pama Intl who probably should be on this list, too!)--and, no doubt, there were many others out there that we never even knew about. So here is our less-than-definitive "Best of List" in all of its flawed glory...

1592: This One's for You All (self-released). Read The Duff Guide to Ska Review here.

Babayaga: Funky Drop (Skanky 'Lil Records). Read The Duff Guide to Ska review here.

Babylove and the van Dangos: The Money and the Time (Jump Up Records)

The Beatdown: The Beatdown (Stomp Records). Read The Duff Guide to Ska review here.

Bigger Thomas: Steal My Sound (self-released). Read The Duff Guide to Ska review here.

The Bullets: Sweet Misery (Jump Up Records). Read The Duff Guide to Ska review here.

The Caroloregians: Funkify Your Reggae (Grover Records)

Jimmy the Squirrel: Whatever the Weather (Do the Dog Music). Read The Duff Guide to Ska review here.

King Hammond: Jacuzzi (N.1. Records)

King Hammond: The King and I (N.1. Records). Read The Duff Guide to Ska Review here.

Mark Foggo: MAD (V2 Records). Read The Duff Guide to Ska review here.

The Moon Invaders vs. The Caroloregians: Hot Blood Cold Weather (Jump Up Records)

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Bonus "Best of" Lists!

Best Live Ska Records:

King Django Quintet: Brooklyn Hangover (Stubborn Records). Read The Duff Guide to Ska review here.

The Moon Invaders: Live at the Ancienne Belgique (Grover Records)

Best Ska Reissue:

Laurel Aitken: Everybody Ska! Rudi Got Married 1980 to 1992 (Pressure Drop). Read The Duff Guide to Ska Review here.

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Also, check our "Best Ska Singles of 2010" and "Best Ska 10" and 12" Platters of 2010"!

Duff Review: Jimmy the Squirrel - Whatever the Weather

Do the Dog Music
2010
CD

On Jimmy the Squirrel's great debut album Whatever the Weather, this Nottingham, UK act unleashes their distinctive brand of earnest and introspective guitars 'n' keyboard-based 2 Tone ska, which often views the world through a dark, pessimistic lens. It makes one wonder if the album title should be interpreted to mean that, despite the circumstances, they are determined or depressed no matter what. The strongest argument for the depressed viewpoint (in spite of the fact that musically it's the most upbeat, catchy, and danceable song on the record) comes in the form of the should-be-a-hit "Sort it Out." Even though the song's chorus urges the singer (Liam O'Kane) to get it together and "sort your life out," he obviously feels trapped in the situation: "I know it's true/but I don't know/if I have the strength to see it through."

The Jimmy the Squirrel worldview has people caught in systems of living and circumstances not of their making, as in "Boom and Bust," a furious assault on the greed and machinations of the men running Wall Street: "Boom and bust/the money's all gone/world-wide recession/the system's gone wrong/but please don't panic/'cause we're all in the same boat/and the people who put us here are keeping us afloat/but I don't know if I trust them--do you?" But the singer knows that the free-market-will-solve-all-society's-ills true believers lack the empathy (or decency) to give a damn about anyone else (indeed, if we're not well-off, we must have some sort of moral failing, since we can't pull ourselves up by the bootstraps): "Another family out on the street/Pay the mortgage or give the kids something to eat/And how do you make those choices? (I don’t know)/When the crunch comes I know which way I’d go." This is followed by the sparse and sarcastically mournful "Bankrupt Man," described as "Maggie Thatcher's biggest fan." He zealously subscribed to (and benefited from) her right-wing polices, but now he's the one unemployed in the cold, still dressing in a suit and tie to drink away the work-less afternoon hours in the pub. It's a schadenfreude-tinged "Ghost Town" for the business-suit class.

It may come as no surprise that romantic relationships are considered to be minefields, where misplaced trust in others (the bitter and almost over-the-top "Wings and Roundabouts") and mistaken perceptions or expectations ("A Little Less": "And when you finally left/Oh what sweet relief/No more false hopes or naive belief/That you loved me I knew it wasn't so") can end up ripping you in half. But peace can be found in the almost Morrissey-level melodrama of love and death in "How I Go": "If I die before I wake at least I know that I can take/The happiness of you lying in my arms keeping you safe from all evils and harms/If this is how I go I can die happy knowing that you know/I loved you ’til my end, I loved you ’til my end."

Our very troubled times are obviously reflected in Jimmy the Squirrel's lyrics, but if Rome's got to burn down around us, at least we've got some wickedly good music to dance to...

Duff Guide to Ska Grade: A-

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Here's Jimmy the Squirrel performing "Boom and Bust" live in July 2010: