Showing posts with label Masons Arms. Show all posts
Showing posts with label Masons Arms. Show all posts

Saturday, March 13, 2021

Duff Guide to Ska Fast Takes: Madness and T-Killas!

Various members of Madness in an assortment of costumes from their many albums appear in the windows of an old brick mansion, as well as in a car in front of it.Under a field of red and black stars, a skeleton kneels down before a masked girl with her fist in the air.(Reviews by Steve Shafer)

As my friends at Stateside Madness recently pointed out, even though there have been loads of Madness compilations released in the UK over the years, only four have been issued in the USA--and none of them have included tracks past 1986! So, the release of the twelve song Our House: The Very Best of Madness (CD/LP, Union Square Music, 2021) is more than overdue and will help the casual Yankee Madness fan catch up on what they've been missing as of late. There are cuts from 2009's outstanding The Liberty of Norton Folgate (read my review of the album and film) and 2016's Can't Touch Us Now (read my review of it here)--wot, nothing from 2012's Oui Oui, Si Si, Ja Ja, Da Da?--plus the 2019 digital single "Bullingdon Boys" (read my review here), which has never previously received a physical release! Even though I have all of their albums, I'll sheepishly admit that I picked up this comp just to have "Bullingdon Boys." Such is the life of an obsessive vinyl collector. (Also make sure to check out Stateside Madness' brilliant interview with Madness guitarist Chris Foreman!)

I'm not exactly sure why Germans have such a knack for making really great ska. But if you like The Busters, No Sports, The Frits, The Butlers, El Bosso und Die Ping Pongs, Bleichreiz, Skaos, The Braces, Dr. Ring Ding, The Senior Allstars, Bluekilla, Masons Arms, Yellow Cap, etc. as much as I do, make sure to add T-Killas to the list. Their incredible new album Awareness (CD/LP, Fire and Flames Music/Grover Records, 2020; and available in the USA through Jump Up Records) is a mash up of melodic 2 Tone/early '90s Krautska (particularly The Busters/No Sports/The Frits), and The Clash, The Jam, and The Adjusters (and note that those last three bands were fiercely leftist). In the midst of seemingly everyday songs about going out and having fun, pursing women or men, and just trying to earn enough to get by in life, T-Killas pointedly include messages that are anti-fascist, and pro-socialist and gender equity. Ska fans longing for new protest songs to address some of the many injustices and evils out there have another album for their arsenal!

In what is clearly the single of the album (that I first heard through the Do the Dog Ska-A-Go-Go, Volume 3 comp), the irresistible knees-up singalong "Dandy and Rude" gleefully trades in bad-ass myth-making while celebrating rudies/workers' unity and purpose:

'Cause tonight I'm out with the most special one
When he's out he spills entire bars and more
He burns whole blocks dancing to the rebel sound
He roars like a lion until he sleeps on the ground

He's so dandy and rude--you will never get this fool!

'Cause tonight I'm out with the most special one
When she starts to rumble, the jungle is gone
She drinks the enemy's blood out of her red bowl
Who says you got to be tall to kick the shit out of an asshole?

Fight, drinking all night long
Chanting beloved workers' songs
Crew love, AFA skinheads
Nothing to prove--black and red


"Rudie's Struggle" challenges gender stereotypes--particularly rude boy/skinhead machismo: "'She's so soft and she's so sweet'/You think she's not a street warrior, oh please...He or she/Poor categories/Do you want to preserve the classic roles?/Or a counterculture without sexual harm for all?" Maybe a little is lost in translation, but you get the gist. "Gonna Go" is a sweet reggae love song about that special someone you can always rely on. "Riot Ground" sounds like a Billy Bragg/Joe Strummer punk rock collaboration sending up a flare to the powers that be to take note that not all is hunky dory with the masses: "You give 'em hope, you give 'em peace, education and disease/But is going on--if there's a fucking wake up call?" And perhaps the most powerful track on the album is the anti-capitalist/pro-socialist and shout out of solidarity with the workers of the world mod cut "Calling for Stars":

I don't get no money for my rent
I just keep on slaving till the end

This is another good goodbye
To our empty life
It's another calling for the black, black star
And it's another calling for the red shine
It's another calling for the red, red star
And it's another calling for the black light

As someone living in a country plagued by white supremacy and enormous income inequality--and where far too many people fear and don't understand--and don't care to understand--what socialism and antifa actually mean, it's both striking and heartening to hear catchy, positive songs about both. We really need them, so keep 'em coming!

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Friday, December 14, 2018

Duff Review: Various Artists "Rudies All Around, Volume 1"

The cover illustration depicts a Jamaican couple dancing in front of a cloud from an explosion.Happy People Records
CD/digital/LP
2018

(Review by Steve Shafer)

While Sean Flowerdew compiled Rudies All Around, Volume 1--a truly ace survey of current international ska acts--as a means to help promote and support his very worthy ongoing enterprise/labor of ska love, the London International Ska Festival (2019's edition is slated to feature Georgie Fame, Misty in Roots, Keith and Tex, Rudy Mills, The Steady 45s, Chris Murray, King Zepha, Masons Arms, Le Birrette, Erin Bardwell Collective, The Indecision, and many more to be announced over the coming months)--ska fans have the added benefit of encountering/being turned onto a host of incredible bands with minimal effort.

As with most carefully selected comps (and Flowerdew is particularly plugged into the global scene), there's a pretty wide variety of ska styles represented on Rudies All Around, Volume 1, which ensures that most listeners will find something to please them (though there's not much ska-punk--which is okay by me). On the traditional ska tip, things kick off with New Zealand's Atushi and The Moisties' "A Sound Of The Ska," which seems like it's been delivered to us in the present via a time machine from JA in 1964. Italy's all-female Le Birrette showcase their fantastic Deltones-y ska on "Mr A." Channeling Dr. Ring Ding, Masons Arms' "Von Vorn" is an incredible, amped-up Spirit of '69 skinhead reggae track in German. Mexico's Travelers Allstars' "Learned Lesson" is a great Jackie Mittoo-like instrumental, while Argentinians Los Aggrotones tread on great Western reggae territory with "Riding to Sonora." Italy's Uppertones joined by American Aggrolite Jesse Wagner do a fun rendition of the 1950's novelty song "El Cumpari," and the legendary and late Rico Rodriquez is featured on Pama International meets Manasseh's excellent futuristic sci-fi (via the 1970s) "Disobedient Dub" (from their Trojan Sessions in Dub album).

For those looking for 2 Tone/modern ska sounds, there's loads to like here. Ireland's Bionic Rats' phenomenally catchy "No Bottles No Milk" is about trying to get by in life with what (little) you've got (had to look up a lot of Irish slang to completely understand this one). Phoenix City All-stars' extraordinary dubby and haunted version of The Clash's "London Calling" drives home how the imagined dystopian/fascist/post-apocalyptic future of the original is closer to being realized than ever (I can't wait to hear the rest of the album this comes from, Clash Version Rockers!). "When It Rains" from the amazing Lions (whose members include Alex Desert and Deston Berry of Hepcat) is about how America's legacy of slavery continues to play out in all sorts of horrifically racist ways (and comes from their superb Soul Riot album--read our review of it). South Korea's The Rulerz's "Angels With Dirty Faces" may remind one of Euro-ska of the early 1990s. Capone and the Bullets (Scotland) turn in a great, deranged ska cover of Kraftwerk's "Das Model" (and emphasize the predatory creepiness of its lyrics), while The Scotch Bonnets (USA) transform The Ramones' punk anthem "Sheena is a Punk Rocker" into a mellow(er), but still very spirited rocksteady track. Dan P and The Bricks (USA) raucous and infectious "The Show" is about becoming an obsessive ska fan/musician. Italy's Miserable Man's broken-hearted acoustic-y/campfire ska song  "Heart in a Fire" is offbeat and completely winning. One of our favorite earworm cuts on the comp comes from Canada: King Kong 4's phenomenal "Profile of a New Elite" (think late '70s Elvis Costello meets The Specials), a cheery, but dark tale that points out how racists/fascists aren't born but raised.

Really, every song on Rudies All Around, Volume 1 is top-quality and I was introduced to a slew of bands that I had never heard from before. So, mission accomplished!

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