Showing posts with label Smoke & Mirrors Soundsystem. Show all posts
Showing posts with label Smoke & Mirrors Soundsystem. Show all posts

Tuesday, October 18, 2022

Duff Review: Smoke & Mirrors Sound System "Mala Salud: A Field Guide to Quackery"

The cover illustration features a woman with her hair in curlers applying a cream to her face. Various sales pitches appear in the background.
50-page, 8 x 10 paperback book and 7" flex disc
2022

(Review by Steve Shafer)

For much of our nation's history, Americans have been deluged with hearsay, humbuggery, and bunco. It's all a malignant but necessary component of our hyper-capitalist society where accumulating wealth and power means everything (it's the American dream!). Duping regular folks to win their cash, vote, and/or blind acquiescence to achieve all this is a feature of capitalism, not a bug.

One area that always has been ripe for exploitation is non-prescribed medicines (aka over-the-counter medication). These "patent medicines" originally were proprietary medications granted patents by the British royal family in the late 17th century--some of which were exported to the American colonies. By the mid-1800s, there was a thriving domestic patent medicine industry in the US, though most of these products never received government (or royal!) patents and were unregulated. Their "cures" for every ailment under the sun often involved alcohol, morphine, opium, or cocaine.

The peddlers of these fake cures eventually came to be known as "snake oil salesmen." The genesis for this phrase traces back to the mid-1800s when 180,000+ Chinese workers immigrated to the US (as indentured laborers) to build the Transcontinental Railroad. One of the traditional medicines they brought to the US was snake oil (derived from the Chinese water snake), which contains fairly high concentrations of omega-3 fatty acids that reduce inflammation and can treat arthritis. Word of the effectiveness of snake oil spread among the American railroad workers. Eventually, some decided to make and market a domestic version of snake oil made from rattlesnakes (which Choctaws and other Native American tribes used for sore joints, though the amount of omega-3 fatty acids in rattlesnakes is far less than in Chinese water snakes).

To help sell their products, these entrepreneurs put on traveling "medicine shows" (paging Mick Jones and co.!), which provided carnival-like entertainment as well as dramatic demonstrations of how their snake oils were made (using live rattlers) and their effectiveness (using shills in the audience who would be "cured" of a host of ills before the audience in real-time). By the early 1900s, the US federal government began to regulate food and drug manufacturers and discovered that Stanley's Snake Oil Liniment (which dominated this market) contained no snake oil at all (Stanley was fined and did not dispute the charges). Of course, this type of quackery didn't end there.

Inspired (and horrified) by the pernicious disinformation insanity of the last several years that is turbo-fueled by social media's hate/bullshit-pushing algorithms (ivermectin and chloroquine phosphate, anyone?), Smoke & Mirrors Sound System's whip-smart book Mala Salud: A Field Guide to Quackery offers dozens upon dozens of hilarious 1950s/1960s-styled ads for ludicrous medical cures and patently absurd products. (They remind me of the tempting but too-good-to-be-true ads in the back of the Spiderman comics I read in the early '70s, like the one that promised a seven-foot Polaris nuclear sub with missiles, periscope, and electrical panels you could sit/play in for seven bucks.) The illustrations by Michael Buchmiller and ad copy by Buchmiller and John and Andrea Roy are spot-on ("Don't let little Jeffrey fall behind in class. Brighten his day with Liquid Sunshine for kids! Stimulates faculties! Increases manly courage!"). Make sure to read Buchmiller's intro on page 3, as well as the copyright/disclaimer page. Both appropriately orient you for digesting this book.

The accompanying retro flexi disc features Smoke & Mirrors Sound System's wonderfully sprightly Latin ska instrumental (with fantastic surf and spaghetti Western guitar solos) "Mala Salud" (Spanish for "Bad Health"). Buchmiller's liner notes of sorts claim that its lyrics "are filled with every conceivable defense for these deceptive products and their marketing tactics." Of course, their absence speaks volumes.

I'll let Buchmiller and the Roys have the last word: "For more information about Smoke & Mirrors Sound System, use the internet or ask your cool friend."

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Friday, June 17, 2022

Duff Review: Smoke & Mirrors Sound System featuring Roy Ellis "More Than Unites" & "Dub That Unites" b/w Smoke and Mirrors Sound System featuring Monty Nesmith "Start All Over" & "Dub All Over"

10" color vinyl record (blue, red, and
The cover painting features Monty Neysmith wearing sunglasses and a cap.
black)
Jump Up Records/Grover Records
2022

(Review by Steve Shafer)

John Roy and the rotating cast of all-star ska musicians in his Smoke & Mirrors Sound System continue to be on a tear, reliably producing some of the best new ska and reggae music around. The latest proof of this is the stunning double A-sided 10" single that (sort of) reunites two of Symarip's main players, Roy Ellis and Monty Neysmith, both of whom have been releasing their own music as of late.

The magnificently fierce rockers-like cut "More Than Unites" (music: John Roy/lyrics: Tony Devenish of Rebelation UK) features Roy Ellis toasting and Dan Vitale of Bim Skala Bim singing of brother/sisterhood and solidarity in the face of fascism and hate. 

"Don't separate us by our language
For it's the same air that we breathe
No division by color or heritage
Where the skin cuts still it bleeds

For we are all one people
Under one sun and sky
And there is more that unites us
Than divides you and I"

I don't know about you, but in these days of unprecedented selfishness, lust for power, and never-sated greed that threatens to destroy everything (people, nations, the planet), I need as many songs like this as I can get my hands on (I've been listening to a lot of '80s-era Billy Bragg lately, like the Between the Wars and Accident Waiting to Happen EPs).

With "Start All Over" (music: John Roy/lyrics: Monty Neysmith), Neysmith sings--in a terrifically impassioned performance--of surrendering, regrouping, and giving things another go. In this wonderful rocksteady hymn to hope, resilience, and grit, failure is okay if you learn from the experience--and it doesn't defeat you.

"I'm leaving this life behind
I now realize it wasn't all that kind
Today, I see the lights are shining so bright
And it tells me everything is gonna be alright

I'm gonna pick myself up
Dust myself off
And start all over again"

In addition to all of the stellar musicians on these tracks (including Matt Parker, Eric Abbey, Victor Rice, Buford O'Sullivan, and many more), the great Roger Rivas not only worked his keyboard magic here but did the boss mixes and compelling dubs.

Whoever's keeping tally, add this 10" to the list of best new ska and reggae releases of 2022...

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For more about Smoke & Mirrors Sound System, read my reviews of their recent releases:

Monday, April 25, 2022

Duff Review/Ska Singles Going Steady: Eric Blowtorch & The Bodyguards, King Kong 4, Smoke & Mirrors Soundsystem

(Reviews by Steve Shafer)
The cover features an illustration of the palm-side of a hand with light radiating from it.

Eric Blowtorch is always doing interesting and unconventional things out in his home base in Milwaukee. For the past decade or so, Blowtorch has been on my radar with incredible releases like 2018's 12" EP Horace Andy backed by Welders "Straight To Hell" and Big Youth backed by Welders "Pair of Dice" b/w Horace Andy v. Big Youth "Asylum Seekers" and Eric Blowtorch "Christmas in Ladbroke Grove" (read my review here) and 2021's triple LP (!) Quality Items (read my review here). But I feel like a dope for not realizing much sooner that I've heard his stuff going back to the '90s with his involvement with Highball Holiday (who released an album on Moon's Ska Satellite Records imprint that I ran and were featured on my comp Skarmageddon 3; and Highball Holiday are now back in action, by the way!).

With an opening guitar riff borrowed from Andy & Joey's "You're Wondering Now," Blowtorch & co.'s great digital single "Sanctuary City," is about welcoming refugees on America's southern border fleeing dictatorships and drug gangs ("Come one, come all/Lift your heart/Crack open the wall/Gunmen on the other side/But maybe love and amnesty, too/Sanctuary city opens/Millions of arms to you"). This track, released just weeks into Russia's appalling invasion of Ukraine, takes on even more significance with millions more people fleeing chaos, death, and destruction in their home countries. The question remains if America can ever find its bearings again to champion human rights and fully welcome and embrace large numbers of refugees from around the world, no matter what their color or religion. ("You're wondering how you should pay/For the way you did behave," indeed.) A portion of this single's proceeds is being donated to the International Rescue Committee, which was founded in 1933 at the suggestion of Albert Einstein (a refugee himself) to help people fleeing fascism in Germany, Italy, and Spain.

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It's really heartening to see singer/songwriter extraordinaire Mitch Girio return with new music from his incredible King Kong 4. It's been two years since Punch It, KK4's brilliant compilation of singles, was released by Jump Up (read my review here), and during this period Girio suffered from a virus that caused some sort of brain injury. Thankfully, he's recovered and back in action. This time out, in his fantastically searing "Paper Sky" digital single, Girio sings about an embattled relationship where there's no shelter from the biting lyrics or the metaphorical bombs that rain from above (I can't help from associating this song with nuclear war with Putin's recent threats to use the bomb):

Here we go as we run for cover
Somewhere underneath a paper sky
Is there a place that's the same for lovers
Who never really try?

And you will give your word
Then try to break it


This ska-rock track--shades of Emotional Fascism (aka Armed Forces) era Costello--culminates with an unexpected and thrilling, kick-ass instrumental outro.

Girio also has contributed a hauntingly lovely cover of Umbrella Heaven's "Soulmate" ("Breaking my back for you/You never asked me to") to Perverted Pleasures, a new tribute album to this cult 1990s UK indie rock band. 

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Smoke & Mirrors Soundsystem's quest for world dominance continues with a cracking new single released on Steady Beat Recordings. (If you don't believe me, check out the slew of records that have come out since their debut 2021 album Strength in Numbers--singles on Badasonic ("Second That Emotion" b/w "Mad World"--read my review here), Liquidator ("Mi Vida Sin Tu Amor" b/w "I'm a Man"--read my review here), and a forthcoming 12" on Jump Up Records featuring Roy Ellis and Monty Nesmith.) As Luis Correa's Steady Beat often focuses on Latin sounds, Smoke & Mirrors Soundsystem's new 7" picture sleeve single features two super crisp Spanish-language Latin ska cuts: John Roy's original "Nadie Te Lo Hizo" b/w a cover of Willie Colón and Hector Lavoe's 1973 salsa cut "El Dia de me Suerte." The theme running through this release is essentially that you should seize the day (side A's title in English is "Nobody Did It To You"; the flip is "My Lucky Day," a tale of passivity in the face of life-long woe: "Soon my lucky day will come/I know before my death/My luck will surely change"). With a never-ending pandemic, worsening global warming, and the looming specter of WWIII, it's probably time to lead your best life while you can. Everybody's got an expiration date.

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Saturday, January 29, 2022

Duff Review: Detroit Riddim Crew meets Crazy Baldhead "Instru-Mental"

The cover features an abstract design of spiralling circles.

Abbey Productions/Jump Up Records
12" vinyl LP/digital
2022

(Review by Steve Shafer)

Instru-Mental, the sophomore LP from Eric Abbey's Detroit Riddim Crew, is an entirely different beast from their great debut album Detroit Riddim Crew and Friends (read my review of it here). That record featured ska-ified secular Christmas cuts on the A side and a collection of ska, rocksteady, reggae, and dancehall tracks with a rotating cast of musicians on the B. This time out, the concept is five wonderfully moody Abbey-penned ska and reggae instrumentals (acely performed by members of Mephiskapheles, J. Navarro & the Traitors, Dub is a Weapon, Monkey, Full Watts Band/Uzimon, Pilfers, Unsteady/Smoke & Mirrors Soundsystem, 1592, Dirty Notion, and even a few Abbey offspring) paired with dub concoctions created by Crazy Baldhead (AKA Jayson Nugent)--and the resuts are pretty sweet.

Like its cover artwork that borrows elements from Saul Bass' graphic design work for Alfred Hitchcock's Vertigo, the songs on Instru-Mental have a filmic quality to them. "Dark Dance" sounds like the theme song to a horror movie (think "Nightmare on Elm Street" or "Evil Dead") and it would have fit in well on Mato's phenomenal Scary Dub LP. "Midnight Walk," which was unearthed after two decades in lying in Abbey's archive (or, um, crypt!), is appropriately eerie, particularly in its dub version. "Traveling" is superb Upsetters-styled early reggae and the spaghetti Western reggae "Forward" sports an awesomely dramatic surf guitar solo. And Crazy Baldhead's masterful dub work takes everything to a new level, deconstructing and reassembling the originals in all sorts of clever and electrifying ways.

Instru-Mental already makes on my list of top 2022 releases (can't wait to get my hands on the vinyl), and I look forward to listening to it repeatedly to keep me going no matter what the rest of this year brings.

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Thursday, January 6, 2022

Duff Review: Smoke & Mirrors Soundsystem "Mi Vida Sin Tu Amor" b/w "I'm A Man"

The cover features an illustration of Laurel Aitken in a suit, pork pie hat, and sunglasses with a microphone in his hand.
Liquidator Music
7" picture sleeve vinyl single/digital
2022
(Review by Steve Shafer)

Following hot on the heels of their "Second That Emotion" EP (which I reviewed here), the Smoke & Mirrors Soundsystem--a rotating group of ska superstars under the musical direction of Unsteady's John Roy--rolls on with a fantastic new single featuring covers of songs by Laurel Aitken and the Spencer Davis Group. Aitken's schmaltzy but sweet Latin/rocksteady track "Mi Vida Sin Tu Amor" ("My Life Without Your Love") from his 1999 album En Español (I reviewed its 2019 reissue here) with The Bandulus' Jeremy Peña on vocals is a lovely tribute to the magnificent Godfather of Ska, and something to put on for a romantic slow dance with a special someone ("And now that you are next to me/I will never, never leave you/I don't want to live my life/Without your love"). On the flip side, the Spencer Davis Group's 1967 blues-rock hit "I'm a Man" is transformed into an awesome to behold funky reggae cut, with The Aggrolites' Jesse Wagner singing and Roger Rivas on keys--and everyone involved convincingly sells over-the top lyrics like these:

I got to keep my image
While suspended from a throne
That looks out upon a kingdom
Full of people all unknown

Who imagine I'm not human
And my heart is made of stone
I never had no problems
And my toilet's trimmed with chrome

I'm a man, yes I am
And I can't help
But love you so, no no


And since tomorrow, January 8, 2022, would have been David Bowie's 75th birthday, I'd be remiss if I didn't point you to a preview of Smoke & Mirror's terrific early reggae version of "Let's Dance," which will hopefully see a physical release at some point this year!

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Friday, October 8, 2021

Duff Review: Smoke & Mirrors Soundsystem: "Second That Emotion" EP

The cover features the single's paper label listing the artist, title, and record label (Badasonic).
(Review by Steve Shafer)

This new EP from the John Roy-driven Smoke & Mirrors Soundsystem musical collective is a terrific preview of their upcoming--and eagerly awaited in these parts--album of covers (which will feature their versions of David Bowie's "Let's Dance," Echo and the Bunnymen's "Killing Moon," Junior Byles' "Fade Away," Sam and Dave's "When Something's Wrong with My Baby," Edwin Star's "25 Miles," Spencer Davis Group's "I'm a Man," amongst others). Smoke & Mirrors Soundsystem's Second That Emotion EP (7" vinyl/digital, Badasonic Records, 2021) highlights two cuts off the covers album and includes their own "The Great Divide" (from SMS' excellent pandemic lockdown debut album Strength in Numbers--read my review of it here), plus its great new companion dub by Nico Leonard).

As advertised, there's a sweet rocksteady version of Smokey Robinson & The Miracles' "Second That Emotion" with the formidable Rebecca Jade on vocals, and devastatingly good take on Tears for Fears' dark and disturbing 1983 synth pop hit "Mad World" ("I find it kind of funny, I find it kind of sad/The dreams in which I'm dying are the best I've ever had") with The Hot Mess' Tori Roze at the mic. The ominous swells of brass at the edges and wistful trombone solo at the end (by Buford O'Sullivan!) are particularly wonderful and effective touches. "The Great Divide" is a fantastic duet of sorts between Mark QMaxx Lyn (ex-Slackers) and Dunia Best (Dubistry) that delivers an anti-racist plea for unity in a country that desperately needs it (Dunia sings in the chorus: "With a strength, joy, and love/We can all rise above"; Lyn toasts in response: "You’re on one side and I am the other/I’m not your enemy, I’m just your brother"). Mad world, indeed.

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Sunday, May 30, 2021

Duff Guide to Ska Fast Takes: Destroy Babylon, Roger Rivas, Smoke & Mirrors Soundsystem, and Roy Radics' last recording with Dope Sagittarius!

The cover illustration features a series of white lines symbolizing light coming through the bars of a prison cell.
(Reviews by Steve Shafer)

Destroy Babylon--the powerhouse reggae/rock/post-punk band led by the Beaudette brothers when they're not doing their dub thing with Flying Vipers--have released a digital single that is a follow-up to their 2017 concept album Shapeshifters (read my review of it here). That album was about the Pandora's box of white supremacy, disinformation, lies, conspiracy theories, and potential for political violence that was unleashed by Trumpism and DB's latest extraordinary single "World's Straightest Line" b/w "Course Corrections" (Digital, Music A.D.D., 2021) continues in a similar vein with songs about the ongoing degradation of our society and disintegration of the social contract. At first, I thought "World's Straightest Line" (a fierce punk rock/hardcore-ish track) was about America's war on drugs, the mass incarceration of Black citizens, and the poverty-to-prison pipeline, but then realized it's about casting social media as a pusher--how it taps into people's lurid, insatiable desire for intimacy with other people's worst moments (and what it extracts from them/us in turn). If the post-punk cut "Course Corrections"--about giving in to authoritarian rule in order to survive ("If you want peace, don’t spare the rod/Closed fist--your new god...I have seen the awful truth/I would do the same to you")--had come out a couple of decades ago, you would have thought it was a good take on 1984. But listening to it in 2021, when it has become crystal clear that the right wing in our country is openly working to dismantle American democracy, is a chilling experience. The distorted, dubby, guitar effects that slip in and out of the shadows of this song are incredibly effective; they're the sounds of a slow-motion dystopian nightmare coming true. 

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Sean Flowerdew's Happy People Records is in overdrive lining up some of the best ska, rocksteady, and reggae singles one could hope for; I believe they're almost up to their 100th release already! (US fans--did you notice that there's a new Happy People Stateside imprint, so you can order these great records and not get killed by international postal rates?) One of the latest singles is Roger Rivas' terrific "Heading West" b/w "Last Goodbye" (7" vinyl single/digital, Happy People Records, 2021), which come from Rivas' out-of-print 2014 LP Last Goodbye (which is still available digitally on Bandcamp). "Heading West" is a bright, bubbly Western reggae/rocksteady trip to a better place that promises even better times, while "One More Dance" sounds a bit tentative and melancholy, as if someone's holding out hope that a rift can be patched up before the end of the night with a close and silent slow dance.

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I meant to write about the John Roy-driven Smoke and Mirrors Soundsystem project much earlier this spring. This is the relaunched New Normal Collaboration project that released the excellent Quarantined on Easy Street last fall (read my review of it here), but ran into issues with one of the people co-leading the effort. Roy (of '90s ska act The Unsteady) has since re-recorded all of the drum tracks and remixed the album, and the new version--retitled Strength in Numbers--can be heard/bought here (at some point soon it will be released on vinyl, too). Smoke and Mirrors Soundsystem also has been working on an album of awesome ska/reggae covers of '80s classics like Bowie's "Let's Dance," Echo and the Bunnymen's "Killing Moon," and Tears for Fears "Mad World," as well as cuts from Junior Byles ("Fade Away"), Sam and Dave ("When Something's Wrong with My Baby"), Smokey Robinson & The Miracles ("Second That Emotion"), Edwin Star ("25 Miles"), Spencer Davis Group ("I'm a Man"), and more.

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A few weeks ago, Luqman Brown (from the NYC "soul core" NYC band FunkFace, which includes members of Beat Brigade) reached out to let me know that another band of his Dope Sagittarius is re-releasing a special edition of their latest album that features Roy Radics' last recording. Radics, of course, was the beloved lead singer of the NYC ska and reggae band The Rudie Crew who passed away unexpectedly in the prime of his life in 2016. The Dope Sagittarius track that features Radics is "Sacred Places"--the title track of this incredible funk-electro-hip-hop-rock band's latest album (which is available from Buddahbug Records on vinyl and digital via Bandcamp). Radics delivers some wickedly fantastic toasting during a dancehall break in this cut about the place you're transported to when you lick the chalice ("I'm stuck between the now and the sacred space"). He sounds so good here and hearing him do what he did so well will make you miss Radics all the more. Anyone who knows about and is into the Black Rock Coalition bands (who incorporate "the spectrum of Black music" into their songs) like Living Color, 24-7 Spyz (I caught them opening for The Untouchables years ago and they were on fire!), FunkFace, and Fishbone will want to devour Dope Sagittarius' Sacred Places.

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