My wife and I just started watching the TV series The Americans, which is about two deeply embedded Russian agents who live in the suburbs of Washington, DC (next to an FBI counter-intelligence agent) and are raising their American-born kids (who have no idea of their parents' true identity) while they spy on the Reagan Administration during the Cold War 1980s. In a funny coincidence, the incredible new single from The Bakesys "You Are Leaving The American Sector" b/w "Bernauer Straße Dub" (Digital, Do the Dog Music, 2021) is about this very same era--and the Berlin Wall in particular. "You Are Leaving The American Sector" is, appropriately enough, a crisp, tightly-wound late-'80s-sounding instrumental track that bends trad ska with modern production techniques, and might remind the listener of something off Maroon Town's High and Dry or Potato 5's True Fact albums. The cut also includes all sorts of clips of interviews of people reacting to the Wall going up in 1961 (and the subsequent attempts of East Germans to escape to the West); one man in the street wonders, "What have we got that they are so afraid of?" Its terrific version, "Bernauer Straße Dub," refers to the street in Berlin where the Wall went up and the East German authorities bricked up all the windows of the apartments that faced the West so their citizens couldn't jump to freedom. Both tracks capture the tension and apocalyptic paranoia of that time, which, in some ways, has never dissipated. On a related note, the late video and multimedia artist Dieter Froese--a wonderful family friend who digitally edited the Super-8 footage I shot for The Toasters' "2 Tone Army" music video at his Dekart Video production house in NYC's Chinatown--had helped a good number of East Berliners escape to the West via a tunnel under the Berlin Wall before he came to the US in 1964.
While many of The Toasters' releases in the 1990s found their way on to vinyl through licensing deals with German ska labels Pork Pie (New York Fever) and Grover (Don't Let the Bastards Grind You Down), the band's 1996 album Hard Band for Dead, which spawned two of their biggest hits--"2 Tone Army" and "I Wasn't Going to Call You Anyway" (a parting shot at a very difficult band)--never found their way onto wax (maybe Pork Pie didn't have the cash to press an LP?). At the time, the ska market for vinyl in the US was very small (even the series of numbered, limited edition 7" singles that Moon Records released in the mid-to-late 90s sold surprisingly slowly), so it made financial sense to import a few copies of the LPs from Europe (where fans still craved vinyl) to sell in the Moon store and through the label's healthy mailorder service.
We flash-forward about a decade and a half later, to when Jump Up Records main man Chuck Wren runs into Bucket at Chicago's Riot Fest. While talking shop, Chuck is very surprised to learn that Hard Band For Dead was never released on LP (the other notable exception is Dub 56, probably one of the most beloved Toasters albums ever). Long story short, Buck and Chuck broker a deal--and now Jump Up has just issued 2 Tone Army on black and green vinyl (the next pressing will be in white), which includes a card that allows you to download six more alternate tracks from the album recording sessions.
Of note, the iconic NYC Ska rude boy (which originally appeared on a Moon Records t-shirt back in the late 80s) on the 2 Tone Army LP cover is not Buck (I had always assumed it was), but Steve Hex (AKA Karl Stephen LaForge), The Toasters' co-founder and keyboardist who appeared on the "The Beat" 7", the Recriminations EP, and Skaboom, Thrill Me Up, and This Gun For Hire albums. Hex died in Berlin in 2005 under questionable circumstances (he was found with a severe head wound and was assumed to have been the victim of a mugging).
For your reference, here is the original 1996 track listing for Hard Band for Dead:
1. 2Tone Army (Hingley) 2. Talk Is Cheap (Hingley) 3. Friends (Hingley/Ugbomah/Toasters) 4. Secret Agent Man (Barri Sloan) 5. Chuck Berry (Hingley) 6. Mouse (Reiter) 7. Hard Man Fe Dead (C. Campbell) 8. Don't Come Running [Extra Intro] (Faulkner) 9. Properly (McCain/Ugbomah) 10. Maxwell Smart (Irving Szathmary) 11. I Wasn't Going To Call You Anyway (Hingley) 12. Speak Your Mind (Hingley/Rice) 13. Skaternity (Reiter/McCain) 14. Dave Goes Crazy (Rimsky-Korsakov)
The album featured guest spots by The Godfather of Ska himself, Laurel Aitken (on "Speak Your Mind"), The Skatalites' terrific saxophonist Lester Sterling (on "Mouse" and the cover of Prince Buster's "Hard Man Fe Dead"), The Ventures' guitarist Jerry McGee (on "Friends"), and King Django (chatting on "Properly").
From what I can tell (my copy hasn't arrived in the mail yet), two additional tracks have been added to the LP reissue proper:
And here are the 2 Tone Army bonus digital download cuts:
Retroactive [Unreleased] (Reiter) Speak Your Mind [Instrumental] (Hingley/Rice) Skaternity [Demo] (Reiter) Moon Ska Stomp [Unreleased] (Hingley/Toasters) Speedy Gonzales [Unreleased] (Hingley/Toasters) 2Tone Army [Blues Reprise] (Hingley)
Megalith Records will be releasing 2 Tone Army on CD--which will include all of the tracks above--a little later this year.
+ + + +
There was a CD re-issue of Hard Band for Dead/2 Tone Army back in 2009 on Party House Records in the UK (a label that I think is now defunct). In response, back in July of that year, I wrote up some notes about Hard Band for Dead and posted them on this blog--and they might be worth revisiting here...
Some Duff Guide to Ska Notes to Hard Band for Dead:
In an attempt to capitalize on the intense music press/industry buzz in the mid-90s (Billboard and others declaring ska "the next big thing," and every major label wanting a ska-like band in their pocket), Moon Records produced two of its first music videos, "2 Tone Army" and "I Wasn't Going to Call You Anyway," to help promote this album (which also received a good amount of airplay from college radio, according to the CMJ charts at the time). In true DIY fashion, I shot "2 Tone Army" on Super 8 film at a Toasters show (with Lester Sterling in the line-up!) at the Fashion Institute of Technology in Chelsea; outside the first Moon shop on 2nd Street in Alphabet City; and in my UES living room. The footage was digitally edited with the assistance of the late video and performance artist Dieter Froese at Dekart Video in Chinatown (they typically did most of their work with PBS, museums, and video and performance artists, but occasionally edited videos for major label bands like REM). The whole production cost about $2,500--and it ended up premiering on MTV's "120 Minutes" and going into fairly regular rotation on MTV and M2 (hell, they even created a special "Skaturday," when they featured ska viddys for a couple of hours).
Contrary to all of the label's/band's expectations, MTV gave the "2 Tone Army" video an extraordinary amount of support because: a) they genuinely liked The Toasters' music and knew how long they had been plugging away on the scene; 2) they didn't want to miss out on ska craze (the hype really was brutally intense, even if the major labels really didn't know ska from Adam or how to market it)--and there weren't that many new ska videos being produced; and 3) they got a kick out of the fact that we had the nerve to submit this somewhat crude, low-budget video, while many other indie acts were lavishing tens of thousands of dollars on theirs trying to make the big time.
Originally, I had planned to shoot a music video for "Chuck Berry" (the single on the record player in the video is the limited edition "Chuck Berry" 7", which was released well before the rest of the album was finished), but switched it to "2 Tone Army" after hearing an advance copy of the song. Since these were untested waters, The Toasters were minimally involved in the making of this video (I came up with what little concept there was and basically showed up to film them at both the FIT show and their promo photo shoot on 2nd Street before they went off on a tour--one of these pictures ended up on the back cover of the CD--we never scheduled anything specifically for the video) and Bucket didn't see any footage until the editing was completed (either he had complete faith in me or was entertaining my flight of fancy). I spoke with him on the phone after he first saw the video and could tell that he was extremely underwhelmed--but as things progressed, he seemed pretty pleased with all the mileage the band/label got out of it.
Like "2 Tone Army," "I Wasn't Going to Call You Anyway" (which was directed by Drew Sentivan, who also made several higher-end videos for Moon in collaboration with Crazy Duck Productions, all of them great, including The Toasters' "Don't Let the Bastards Grind You Down" and "I'm Running Right Through the World," as well as The Scofflaws' "Nude Beach," Isaac Green and the Skalars' "High School," and the Skoidats' "Last Night" ) went into regular rotation on MTV and M2 (remember that station--completely devoted to actually playing music videos, many of them from alternative/indie bands?). For better or worse, Moon also permitted MTV to use excerpts of several songs off of Hard Band for Dead for shows like Singled Out and The Real World, in the hopes of expanding the band's audience and stimulating CD sales.
After the recording sessions for Hard Band, the souring relationship between Coolie Ranx and the rest of the band hit an all time low--and he left/was booted from The Toasters soon after. (One memorable, cringe-worthy event from this period took place at The Toasters' Central Park SummerStage gig, a big deal back then since they were one of the first ska acts ever featured in this concert series, as when it came time for the band to hit the stage, Coolie was AWOL--Bucket and Sledge had to take over Coolie's vocal duties; he finally showed up several songs into the set, dramatically leaping onto the stage from the audience.) As a result, just before the Hard Band for Dead masters were sent to the printing plant, most of Coolie's tracks were dropped from the album (I'll always remember Toasters bassist Matt Malles telling me how bummed he was that one of the songs he co-wrote with Coolie was left off the record--he thought it was the best track of the bunch.) Interestingly enough, the "2 Tone Army" video inadvertently captured the transition between Coolie Ranx (who is in the photo shoot segments) and Jack Ruby, Jr. (who was on stage as a member of the band at the FIT show).
One last tidbit: a version of "2 Tone Army" (recorded months before the Hard Band sessions by the Moon Ska Stompers, which was comprised of members of The Toasters and NY Ska Jazz Ensemble, as well as Victor Rice and King Django) became the theme music for the very cool animated/stop action Nickelodeon show "Kablam!".
Our good friends at Megalith Records have two new releases of note rolling out of their pipeline soon from The Toasters and Freddy Loco and The Gordo's Ska Band.
The Toasters' excellent 1996 album Hard Band for Dead (which followed on the heels of the brilliant Dub 56) is being re-issued as 2Tone Army, with new artwork and six previously unreleased bonus tracks:
1. 2Tone Army (Hingley) 2. Talk Is Cheap (Hingley) 3. Friends (Hingley/Ugbomah/Toasters) 4. Secret Agent Man (Barri Sloan) 5. Chuck Berry (Hingley) 6. Mouse (Reiter) 7. Hard Man Fe Dead (C. Campbell) 8. Don't Come Running [Extra Intro] (Faulkner) 9. Properly (McCain/Ugbomah) 10. Maxwell Smart (Irving Szathmary) 11. I Wasn't Going To Call You Anyway (Hingley) 12. Speak Your Mind (Hingley/Rice) 13. Skaternity (Reiter/McCain) 14. Dave Goes Crazy (Rimsky-Korsakov) [Bonus Tracks] 15. 2Tone Army [Special Forces Version] (Hingley) 16. Skar-Toon [Unreleased] (Brown) 17. Retroactive [Unreleased] (Reiter) 18. Speak Your Mind [Instrumental] (Hingley/Rice) 19. Skaternity [Demo] (Reiter) 20. Moon Ska Stomp [Unreleased] (Hingley/Toasters) 21. Speedy Gonzales [Unreleased] (Hingley/Toasters) 22. 2Tone Army [Blues Reprise] (Hingley)
The album features guest spots by The Godfather of Ska himself, Laurel Aitken (on "Speak Your Mind"), The Skatalites' terrific saxophonist Lester Sterling (on "Mouse" and the cover of Prince Buster's "Hard Man Fe Dead"), The Ventures' guitarist Jerry McGee (on "Friends"), and King Django (chatting on "Properly").
Some Duff Guide to Ska Notes to Hard Band for Dead: In an attempt to capitalize on the intense music press/industry buzz in the mid-90s (Billboard and others declaring ska "the next big thing," and every major label wanting a ska-like band in their pocket), Moon Records produced two of its first music videos, "2-Tone Army" and "I Wasn't Going to Call You Anyway," to help promote this album (which also received a good amount of airplay from college radio, according to the CMJ charts at the time). In true DIY fashion, I shot "2-Tone Army" on Super 8 film at a Toasters show (with Lester Sterling in the line-up!) at the Fashion Institute of Technology in Chelsea; outside the first Moon shop on 2nd Street in Alphabet City; and in my UES living room. The footage was digitally edited with the assistance of the late artist Dieter Froese at Dekart Video in Chinatown (they typically did most of their work with PBS, museums, and video and performance artists, but occasionally edited videos for major label bands like REM). The whole production cost about $2,500--and it ended up premiering on MTV's "120 Minutes" and going into fairly regular rotation on MTV and M2 (hell, they even created a special "Skaturday," when they featured ska viddys for a couple of hours).
Contrary to all of the label's/band's expectations, MTV gave the "2-Tone Army" video an extraordinary amount of support because: a) they genuinely liked The Toasters' music and knew how long they had been plugging away on the scene; 2) they didn't want to miss out on ska craze (the hype really was brutally intense, even if the major labels really didn't know ska from Adam or how to market it)--and there weren't that many new ska videos being produced; and 3) they got a kick out of the fact that we had the nerve to submit this somewhat crude, low-budget video, while many other indie acts were lavishing tens of thousands of dollars on theirs trying to make the big time.
Originally, I had planned to shoot a music video for "Chuck Berry" (the single on the record player in the video is the limited edition "Chuck Berry" 7", which was released well before the rest of the album was finished), but switched it to "2-Tone Army" after hearing an advance copy of the song. Since these were untested waters, The Toasters were minimally involved in the making of this video (I came up with what little concept there was and basically showed up to film them at both the FIT show and their promo photo shoot on 2nd Street before they went off on a tour--one of these pictures ended up on the back cover of the CD--we never scheduled anything specifically for the video) and Bucket didn't see any footage until the editing was completed (either he had complete faith in me or was entertaining my flight of fancy). I spoke with him on the phone after he first saw the video and could tell that he was extremely underwhelmed--but as things progressed, he seemed pretty pleased with all the mileage the band/label got out of it.
Like "2-Tone Army," "I Wasn't Going to Call You Anyway" (which was directed by Drew Sentivan, who also made several higher-end videos for Moon in collaboration with Crazy Duck Productions, all of them great, including The Toasters' "Don't Let the Bastards Grind You Down" and "I'm Running Right Through the World," as well as The Scofflaws' "Nude Beach," Isaac Green and the Skalars' "High School," and the Skoidats' "Last Night" ) went into regular rotation on MTV and M2 (remember that station--completely devoted to actually playing music videos, many of them from alternative/indie bands?). For better or worse, Moon also permitted MTV to use excerpts of several songs off of Hard Band for Dead for shows like Singled Out and The Real World, in the hopes of expanding the band's audience and stimulating CD sales.
After the recording sessions for Hard Band, the souring relationship between Coolie Ranx and the rest of the band hit an all time low--and he left/was booted from The Toasters soon after. (One memorable, cringe-worthy event from this period took place at The Toasters' Central Park Summerstage gig, a big deal back then since they were one of the first ska acts ever featured in this concert series, as when it came time for the band to hit the stage, Coolie was AWOL--Bucket and Sledge had to take over Coolie's vocal duties; he finally showed up several songs into the set, dramatically leaping onto the stage from the audience.) As a result, just before the Hard Band for Dead masters were sent to the printing plant, most of Coolie's tracks were dropped from the album (I'll always remember Toasters bassist Matt Malles telling me how bummed he was that one of the songs he co-wrote with Coolie was left off the record--he thought it was the best track of the bunch.) Interestingly enough, the "2-Tone Army" video inadvertently captured the transition between Coolie Ranx (who is in the photo shoot segments) and Jack Ruby, Jr. (who was on stage as a member of the band at the FIT show).
One last tidbit: a version of "2-Tone Army" (recorded months before the Hard Band sessions by the Moon Ska Stompers, which was comprised of members of The Toasters and NY Ska Jazz Ensemble, as well as Victor Rice and King Django) became the theme music for the very cool animated/stop action Nickelodeon show "Kablam!".
+ + + +
Also on deck for release in mid-August is the sophomore release from Belgium's vintage ska/jazz practitioners Freddy Loco and The Gordo's Ska Band : "Satelites." The album features guest appearances by The Skatalites' Cedric Brooks, NY Ska Jazz Ensemble's Rocksteady Freddie Rieter, and Victor Rice, who also mixed the tracks. The band's debut album, TABA, was digitally released by Megalith in 2007 through CD Baby and iTunes.
What They're Saying About My Book "The Duff Guide to 2 Tone"
“An essential read…Stephen's eye for detail is incredible and his love for 2 Tone oozes from each page.” — Kevin Flowerdew, Do the Dog Skazine
“Written with a personal touch and with great passion about the bands and releases while giving a lot of emphasis to the lyrics, Stephen’s book is a great guiding hand to navigating your way to some great new music.” — Peter Walsh, 2-Tone.info
“It's some of the finest Madness analysis I've ever read.” —Donald Trull, Stateside Madness
“Steve's own story would make a great book, but instead he's written The Duff Guide to 2 Tone, a 250+ page collection of 2 Tone-related pieces from his blog. There are reviews of original pieces, but the book's real purpose is to show how the 2 Tone sound and—more importantly its ideals—carry on today...Get this book right away!" — Charles Benoit, Reggae Steady Ska
"...Shafer has definitely not forgotten how socially conscious issues were at the root of Ska even from the beginning. He makes certain to thread the political issues that motivated the development of Ska throughout his narrative; painting a picture that took both the oppressive political environments and the often ecstatic musical content into account. And in that, he nails down for me what the enduring pull of Ska was to its many fans. Was there ever a more upbeat dance music that combined its boundless energy with a push for progressive social values and calling truth to power?" —Post-Punk Monk
"...[The Duff Guide to 2 Tone is a] chatty, informative and knowledgeable work, one that you can either sit down and read or use as a reference source..." —Nik Skeat, Scootering Magazine
"During the reading of the book it is dangerous to have a screen open next to you with Discogs. I have found lots of ‘new music’ via the stories in The Duff Guide to 2 Tone which I must have." -- Peter Vrakking, Blue Beat & Ska
In the mail today, I received the first copy of my new paperback book The Duff Guide to 2 Tone --and am thrilled to announce that it is now...
About Your Duff Guide
Steve Shafer/The Duff Guide to Ska For most of the 1990s, I was the promotions, marketing, production guy for Moon Records (RIP). It was one of the best jobs I ever had. Seriously, I miss it badly. During 1999/2000, I ran 7 Wonders of the World Music, the first digital download-only ska label that was too ahead of the curve for its own good (RIP).
I filmed and edited this Toasters video for $2,500, which made its debut on MTV's 120 Minutes. I also put together these compilations for Moon: the first three Skarmageddons; Ska United: A Global Ska Sampler; Skank Down Under; This Are Moon Ska I, II, and III; and Moonshot!
Here's an old interview with Adam Monkey from Read Magazine that covers my days at Moon and 7 Wonders. I also did a somewhat more recent interview with Read Junk.
I've been interviewed about ska music and Moon Records for The New York Times, Heather Augustyn's "Ska: The Rhythm of Liberation," Aaron Carnes' "In Defense of Ska," Kenneth Partridge's "Hell of a Hat: The Rise of '90s Ska and Swing," and Marc Wasserman's "Ska Boom: An American Ska & Reggae Oral History" (I also wrote the introductory chapter "1985: The Year American Ska Broke" for Wasserman's book).
And I'm the author of "The Duff Guide to 2 Tone," which can be ordered from Amazon--and is available in the US from Jump Up Records, and in Europe from the 2 Tone Village Shop (Coventry, UK), Champion Sound Records (Hull, UK), Aggroshop (Nijmegen, Netherlands), and Copasetic Mailorder (Hamburg, Germany). Plus, my book was on sale in the museum shop for the "2 Tone: Lives & Legacies" exhibition (May 28 - September 12, 2021), curated by Simon Reynolds, Cory Barrett, Pete Chambers, Jennifer Otter Bickerdike and Daniel Rachel, at the Herbert Art Gallery Museum in Coventry, UK.
I'm now working on my next book, "Calling All the Rude Boys: The Duff Guide to The Toasters, 1981-1992," to be published in 2023.
If you have a ska or reggae release that you'd like me to consider reviewing, please send an e-mail to Steve at duffguidetoska@gmail.com. You should know that I am old school and prefer music in tangible formats (plus I might use your music when I DJ ska events). I'd also appreciate any news or tips you may have about bands.
All reviews and interviews posted on The Duff Guide to Ska are copyrighted and are the sole property of Steve Shafer. Please contact me for permission to reproduce anything on this blog.
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The Untouchables "Free Yourself" picture disc featuring Clyde Grimes, Jr. from my record collection. I'm very sad to repo...
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Check out The Duff Guide to Ska Video Channel for footage of ska bands in action in clubs around NYC, as well as unusual and rare ska videos from the 90s! Bands featured include The Toasters, The Bluebeats, The Forthrights, Across the Aisle, The Caroloregians, The Moon Invaders, The Rudie Crew, Tip the Van, Hey Stranger, Beat Brigade, Bigger Thomas, King Chango, The Scofflaws, UB40, The Hard Times, Jah Love and the Valentinians, The Shifters, Rudies Don't Care, Big Audio Dynamite, Stranger Cole and Patsy with Crazy Baldhead, Queen P of Ocean 11, King Hammond, The Snails, King Django, Doomsday! The Ultimate Tribute to Mephiskapheles Consisting of Former Members of Mephiskapheles, Destroy Babylon, The Frightnrs, The Pandemics, Los Skarroneros, The Bullbuckers, The Scofflaws, The Reggay Lords, The Copacetics, Rude Boy George, Dave Hillyard and the Rocksteady 7, Tokyo Ska Paradise Orchestra, The Specials, Roddy Radiation and Lynval Golding, The Ladrones, Chris Murray, Radio Riddler, UB40 featuring Ali Campbell, Astro, and Mickey Virtue, Barbicide, The Twilights, Bim Skala Bim featuring John Bunkley (Gangster Fun), The Pomps, and more!