Wednesday, June 7, 2017

Duff Guide to Ska Fast Takes: King Kong 4 "There's Not Much That You or I Can Do About It," Jackie Mittoo "Striker Showcase"

(Reviews by Steve Shafer)

King Kong 4 There's Not Much That You or I Can Do About It (Five-track digital EP, Winterbeard Records, 2017): I saw the harrowing movie version of Nevil Shute's post-World War III/doomsday novel "On the Beach" (where the last bits of humanity in Melbourne, Australia wait for the the nuclear fallout to reach and kill them--though most of the characters opt out via suicide pills, rather than suffering an agonizing death due to radiation poisoning) while in middle school at the end of the 1970s, when nuclear armageddon was a terrifyingly real possibility (and kept me up at nights). While King Kong 4's There's Not Much That You or I Can Do About It EP and its song titles are all taken from Shute's bleak novel (note the mushroom clouds in the EP cover art), all of their instrumental tracks are actually pleasantly bright and cheery. "Going a Bit Mad in Our Own Way" (with its incredible ice rink organ line), "To Lose Before You Start" (which features samples of President Harry Truman talking about bombing Hiroshima), and "Sitting Behind the Wheel of Her Car" (plus two dub versions) are fantastic spaghetti Western ska tracks (appropriate, given America's cowboy image/mythology and notoriety as the only country to have used nuclear weapons in war). One imagines the KK4 up in Toronto, watching in resigned horror as its destabilized and unpredictable superpower neighbor wreaks havoc on the world, but opting to keep on creating (life-affirming) music rather than giving into helplessness and despair.

Jackie Mittoo Striker Showcase (2xCD, 17 North Parade/VP Records, 2017): Back in the latter half of the 70s, producer Bunny "Striker" Lee arranged for Studio One's former musical director, arranger, and master keyboardist Jackie Mittoo (Skatalites, Soul Vendors/Brothers, Sound Dimension) to depart his adopted Toronto for the UK and JA to re-record/re-interpret many of his seminal ridders that he created for Coxsone Dodd in the 1960s ("Hot Milk," "Ram Jam," and dozens more) for a series of albums: The Keyboard King (1977), Hot Blood (1977), Showcase (1978), and In Cold Blood (1978). For these wonderfully loose, warm, and funky recordings, Mittoo was backed by a stellar band that included Sly Dunbar on drums, Robbie Shakespeare on bass, Winston Wright and Ansel Collins on piano, Earl "Chinna" Smith on guitar, and Tony Chin, Winston "Bo Pee" Bowen, Geoffrey Chung, and Carl Harvey on rhythm guitar--all providing Mittoo with the rock solid roots foundation for him to work his extraordinary keyboard magic. Even if you picked up Blood and Fire's Champion in the Arena, 1976-1977 back in 2003, which contains most of what's on the first half of this release, you'll want this comp for its second CD. You can never have enough Jackie Mittoo in your collection.

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