|Composite image courtesy of Stateside Madness.|
Here's an excerpt:"The Duff Guide to 2 Tone is chock full of personal fan nuggets that elevate it above a mere collection of record reviews. I relish Steve’s finding of the exceptionally rare Rico Jama LP. I envy him for seeing Pauline Black and Rhoda Dakar play together in New York City in 2019. I admire his heartfelt reflections on the occasion of Ranking Roger’s passing. I relate to his interview with Roddy “Radiation” Byers, whom I myself had the pleasure of chatting with at length before a North Carolina gig a couple of years ago. I love that Steve mentions his favorite album by The Beat is Wha’ppen? No way, I think he and I must be the only two fans who share that oddball opinion! And indeed, his reviews have a thing or two to teach a crotchety old know-it-all like me – for instance, I had vaguely heard of The Specials’ Live at the Moonlight Club but never bought it. After reading Steve’s reverential praise for the 1979 bootleg-turned-legit release, I had to go grab it. I’m sure glad I did. Thanks, buddy."
“When it seemed like their 2 Tone peers had run out of things to say,” he writes, “Madness were delivering the songs of great meaning that I had wanted from them in my youth – a concept album that promotes multiculturalism as the only path to real freedom, and the notion that the history of a place and its people has an extraordinary impact on making this possible.” This he follows with a thorough unpacking of “We Are London” and the epic title track, dissecting them with rigorous wonder. It’s some of the finest Madness analysis I’ve ever read."