Showing posts with label Roy Ayers. Show all posts
Showing posts with label Roy Ayers. Show all posts

Monday, October 25, 2021

Duff Review: Various Artists "Disco Reggae, Volume 4"

A young, Black woman looks out from the cover of the album.
This is not a Trojan comp.
(Review by Steve Shafer)

Disco Reggae, Volume 4 (LP/digital, Stix Records/Favorite Recordings, 2021) is the latest in this series of similarly-themed compilations from this French label and its orbit of French producers (and is a great companion record to the recently released, Don Letts-selected Version Excursion for Late Night Tales, which I reviewed here). Disco Reggae, Volume 4 is a sweet mix of dance floor rump shakers, Quiet Storm slow-dancers/make-out tracks, and afterparty cool down cuts. 

Side A doesn't quite get the balance right. While excellent cuts in their own right, Taggy Matcher's cover of Chemise's "She Can't Love You" and Blundetto Meets Booker Gee's read of Tyrone & Carr's 1973 song "Take Me With You" lean heavily disco, with very little reggae to speak of. Having said that, Soul Sugar's take on Roy Ayers' 1972 Afrocentric/Black empowerment soul-jazz track "We Live in Brooklyn, Baby" sounds a bit like Mad Professor meets Massive Attack (I've been listening a lot to their stellar Part II/Mezzanine Remix Tapes '98 lately); and Wolfgang's fantastic "Summertime" marries a Casio-like percussive track (shades of The Specials More Specials) to a roots reggae/trombone-focused interpretation of this Ira and George Gershwin jazz standard from Porgy & Bess.

The flip side of Disco Reggae really nails it with Mato's infectious, groovy cover of A Taste of Honey's 1978 world-wide hit "Boogie Oogie Oogie"; and Hawa's version of Keni Burke's 1982 cut "Risin' To The Top" (which here seems like a cousin to Lovers Rock) even incorporates a bit of the Mary Jane Girls' super-steamy "All Night Long" (which originally borrowed the bass line from "Risin' To The Top"!) While more disco reggae-adjacent, Taggy Matcher's awesome take on Kraftwerk's "Radioactivity" marries the Germans' electronic/synthpop melody to a much-needed propulsive reggae skank (the original's pretty stiff). If you're rigid in your musical tastes, this may not be for you--but if you're into a bit of genre-bending/blending, Disco Reggae, Volume 4 delivers the goods!

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Thursday, May 10, 2018

Duff Review: Prince Fatty w/Omar and Fatlip "Sunshine" b/w "Sunshine Dub" (RSD 2018 Release)

Evergreen Recordings
Vinyl 7" single
2018

(Review by Steve Shafer)

This is a fantastic and instantly recognizable Prince Fatty roots reggae take on Roy Ayers perfect 1976 jazz-funk-soul creation "Everybody Loves The Sunshine" (if this song doesn't completely epitomize the sound of American black music the 1970s, what does?). For this Record Store Day release, Prince Fatty enlisted the UK neo-soul singer Omar Lye-Fook on vocals and Fatlip from The Pharcyde rapping in the breaks ("Teach the children/celebrate diversity/Like The Beatles/They say, 'Let it be'"), as well some of the great usual suspects in Fatty's musical orbit, including Horseman (drums), Mafia (bass), Bubblers (keys), and Kashta Tafari (guitar). The results, of course, are top-notch--and you probably wouldn't be surprised if I told you that this makes for an ideal summer reggae track. This is coming to a sound-system near you.

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