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What is particularly refreshing is that both pieces were written and recorded by music writers who are clearly knowledgeable about ska, reggae, jazz, and 2 Tone (I've read hundreds, if not thousands, of reviews and features related to ska and a lot of people just don't get it right).
So when you have a about 10 minutes, give a to listen to Ed Ward's recounting of The English Beat's all too short existence in Out Of Industrial Wasteland, The English Beat Was Born; and Banning Eyre's review of Ernest Ranglin's Avila (Avila Street Records): A Ska And Jazz Innovator Bridges Continents And Decades.
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(Photo of The Beat by Adrian Boot)
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